Should Police Officers Narrate Traffic Stops for Better Evidence?
Not all officers do it. But in this contentious environment, traffic stop narration can help illuminate your decision-making process after the fact. When transparency is desperately needed, video evidence alone may not cut it.
What is Traffic Stop Narration?
At WatchGuard Video, we feel that narrating traffic stops could give an officer more thorough evidence, providing at-the-moment clarity and credibility not washed out by time for end-of-shift reports.
Momentum for traffic stop narration is picking up.
“It does behoove an officer to make limited verbal notes of aspects of the incident that the camera might not capture,” says Jim Glennon, lead instructor at Calibre Press. “It can be overdone—to the point that it might seem as though the officer is projecting upon reality or adversely affecting the evidentiary value of video.”
So, there should be thought behind the narration of a police stop. We’ve put together a few tips based on what we’ve heard back from officers in the field.
Tips for Traffic Stop Narration
Speak Your Mind
Your narration is your audible thought process. What are those elements that instigated the stop? What is the motivation for your action? On what did you build your reasonable suspicion?
By thinking out loud, you not only maximize the use of your body-worn camera equipment, but you potentially lay the trail for a stronger case.
Stick to the Facts
To avoid sticky court situations, it’s important to stick to the facts. For example, a narration for a potential drunk driver could be, “Car is swerving,” rather than, “Driver looks drunk.”
A Plano, Texas, police officer shared this thought:
Firmly believing this to be a sound practice that would help the judge and jury members understand the articulated reasons for my actions, I was understandably surprised the first time a defense attorney raised an objection in court that this recorded narrative constituted ‘hearsay’ testimony; although, I was at the time present in the witness stand attesting to it.
Too many opinions in narration could lead defense attorneys to claim unsubstantiated information. Therefore, state observations and don’t relate them to possible conclusions.
Less is More
Too much of a good thing can often muddle or distract. Narration should be short and sweet—there’s no need for extensive commentary. Your goal with narration is to fill in the gaps where video alone may fall short.
Choose Your Moments Wisely
Glennon says: “…the fact is, the best camera in the world won’t capture everything. What the officer perceives will determine his or her response. If there’s a bulge in the waistline that might be a gun or if the subject is tensing up during cuffing, probably advisable to make a verbal, real-time note of it.”
Perception and timing are everything. Putting too much weight on the narration could distract an officer from the matter at hand.
Practice, Practice, Practice
Above all, getting good quality traffic stop narration is dependent on practice. It’s not an inherent skill. Over time, the narration will become second nature.
The Future of Narration
Ultimately, getting officers trained and in the habit of narrating is dependent on the agency.
“This is a new paradigm,” says Glennon. “Most agencies haven’t really thought this through completely. I know of one agency that expressly forbids from narrating video in real-time. The feeling is, I think, that this taints otherwise objective evidence. And certainly, that’s a concern.
“But I do think an officer who, for example, smells burning meth, would do well to make note of it verbally when the camera is rolling. There’s so much the cameras don’t pick up that an alert officer in the field will have to consider.”